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	<title>Comments on: The RIAA Vs. The World</title>
	<link>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/</link>
	<description>As The Media Watches The World, We Watch The Media</description>
	<pubDate>Fri, 05 Dec 2008 09:14:29 +0000</pubDate>
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		<title>by: JahSun</title>
		<link>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6624</link>
		<pubDate>Tue, 16 Oct 2007 20:29:30 +0000</pubDate>
		<guid>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6624</guid>
					<description>Right on David!

I've been saying roughly the same thing since well before the 1st Napster got taken down.  The fact that Radiohead put their new album online for free (well, whatever you want to pay) is a true sign of the times.  I was telling some fairly big name musicians years ago that they should adopt a marketing strategy like that.

The Major Labels are in a panic... not because people are downloading the music for free, but because every day it becomes more and more obvious that they are un-necessary and quickly becoming obsolete.  Even in the days when distribution was difficult, warehouses  needed to store product that might not sell, and recording equipment cost a fortune... the 95% of the wholesale price that they get was steep.  On the publishing &#38; the production end of the game, they made out like bandits.  Now, with print-on-demand CDs, iTunes downloads that cost them nothing, and ProTools setups costing less than a used Les Paul/ Marshall stack rig, the only thing they actually &lt;i&gt;do&lt;/i&gt; is publicity.  Even the best publicist in the world isn't worth 95%.

So, the RIAA and the Majors will continue to play the blame game... charging housewives nearly 10 G's per song for something that their own kids probably do.  Until one day, they will wake up and everyone will be dealing directly with the artists, and they will be what they have always been...  sterile offices full of greedy old-farts who couldn't play a tune to save their lives.</description>
		<content:encoded><![CDATA[<p>Right on David!</p>
<p>I&#8217;ve been saying roughly the same thing since well before the 1st Napster got taken down.  The fact that Radiohead put their new album online for free (well, whatever you want to pay) is a true sign of the times.  I was telling some fairly big name musicians years ago that they should adopt a marketing strategy like that.</p>
<p>The Major Labels are in a panic&#8230; not because people are downloading the music for free, but because every day it becomes more and more obvious that they are un-necessary and quickly becoming obsolete.  Even in the days when distribution was difficult, warehouses  needed to store product that might not sell, and recording equipment cost a fortune&#8230; the 95% of the wholesale price that they get was steep.  On the publishing &amp; the production end of the game, they made out like bandits.  Now, with print-on-demand CDs, iTunes downloads that cost them nothing, and ProTools setups costing less than a used Les Paul/ Marshall stack rig, the only thing they actually <i>do</i> is publicity.  Even the best publicist in the world isn&#8217;t worth 95%.</p>
<p>So, the RIAA and the Majors will continue to play the blame game&#8230; charging housewives nearly 10 G&#8217;s per song for something that their own kids probably do.  Until one day, they will wake up and everyone will be dealing directly with the artists, and they will be what they have always been&#8230;  sterile offices full of greedy old-farts who couldn&#8217;t play a tune to save their lives.
</p>
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		<title>by: Cord;ey Coit</title>
		<link>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6533</link>
		<pubDate>Sat, 13 Oct 2007 07:48:18 +0000</pubDate>
		<guid>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6533</guid>
					<description>Time to nominate the RIAA heads along with the other moguls of the mic as "Richard" Heads of the Year. The took a whole industry into the tank to catch and punish their audience for listening to their over priced product. Their millions spent bribing politicans rather than improving their product has shown us how world capitalism works, not at all for the creators.
Soon all the industry will exit for China   leaving a few actors to play the part of musicians and front office.</description>
		<content:encoded><![CDATA[<p>Time to nominate the RIAA heads along with the other moguls of the mic as &#8220;Richard&#8221; Heads of the Year. The took a whole industry into the tank to catch and punish their audience for listening to their over priced product. Their millions spent bribing politicans rather than improving their product has shown us how world capitalism works, not at all for the creators.<br />
Soon all the industry will exit for China   leaving a few actors to play the part of musicians and front office.
</p>
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		<title>by: Jazzebelle</title>
		<link>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6476</link>
		<pubDate>Thu, 11 Oct 2007 21:46:28 +0000</pubDate>
		<guid>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6476</guid>
					<description>I agree almost wholeheartedly with your assessment on music sharing and the music industry. I book gigs for a local Pub in my town (we recently hosted you along with Bug Guts) and one of the best marketing/networking tools for artists I've  discovered is MySpace. It's so easy to gain fans and introduce them to your music. To not use this to it's full potential (including music tracks) is silly. I also am a musician, and we offer our 4 song demo on our My Space page, and recently performed at an event where I put free CD's on each of the 25 or so tables there. The CD's didn't cost me much as there were no slick graphics, but it put the music into the hands of potential clients that might want to hire us for a party, and they were all tickled to get them. 

However, I've worked in commercial radio for the past 22 years, and although I'm sure payola is alive, I think most of the stations (like ours) have a music director that is afraid to go out of the box, and play music from un-known artists, as they fear the station won't be well received if listeners don't hear what they've been trained to think they want. I know our MD isn't receiving any goods or payola, as we are in a small market and have a hard enough time getting CD's sent to us. In fact, we have resorted to buying our songs from I-Tunes because it's easier and takes less time that making multiple calls to a distributor only to sometimes never receive the music. Seems odd, doesn't it, that the record industry complains about their artists not generating enough income when they won't even send out the CD's to a radio station willing to play it? 

Also,radio is such a competitive market, and the MD's and PD's are constantly trying to please the masses and play music by award-winning artists so their advertisers (both local and national)are more inclined to continue their support of the radio station, for that is how the stations survive. And these stations (like ours) do much more than play music and commercials, they're a way to connect to the community through PSA's, Entertainment Calendars, Pet Watch for lost and found animals, news, sports and weather. 

The problem is, getting the masses to realize there is a lot of great music out there, and not just by these artists that are being shoved down your throat, so the internet and music sharing is the answer. Support your favorite band when they come to town, buy their music and push them to the forefront by telling all your friends!

Indie artists are finally getting airplay, it is happening, and the more the fans support these artists, the more we'll hear them on the air. Personally, I look forward to the day when the pop-star system gets turned on its head!</description>
		<content:encoded><![CDATA[<p>I agree almost wholeheartedly with your assessment on music sharing and the music industry. I book gigs for a local Pub in my town (we recently hosted you along with Bug Guts) and one of the best marketing/networking tools for artists I&#8217;ve  discovered is MySpace. It&#8217;s so easy to gain fans and introduce them to your music. To not use this to it&#8217;s full potential (including music tracks) is silly. I also am a musician, and we offer our 4 song demo on our My Space page, and recently performed at an event where I put free CD&#8217;s on each of the 25 or so tables there. The CD&#8217;s didn&#8217;t cost me much as there were no slick graphics, but it put the music into the hands of potential clients that might want to hire us for a party, and they were all tickled to get them. </p>
<p>However, I&#8217;ve worked in commercial radio for the past 22 years, and although I&#8217;m sure payola is alive, I think most of the stations (like ours) have a music director that is afraid to go out of the box, and play music from un-known artists, as they fear the station won&#8217;t be well received if listeners don&#8217;t hear what they&#8217;ve been trained to think they want. I know our MD isn&#8217;t receiving any goods or payola, as we are in a small market and have a hard enough time getting CD&#8217;s sent to us. In fact, we have resorted to buying our songs from I-Tunes because it&#8217;s easier and takes less time that making multiple calls to a distributor only to sometimes never receive the music. Seems odd, doesn&#8217;t it, that the record industry complains about their artists not generating enough income when they won&#8217;t even send out the CD&#8217;s to a radio station willing to play it? </p>
<p>Also,radio is such a competitive market, and the MD&#8217;s and PD&#8217;s are constantly trying to please the masses and play music by award-winning artists so their advertisers (both local and national)are more inclined to continue their support of the radio station, for that is how the stations survive. And these stations (like ours) do much more than play music and commercials, they&#8217;re a way to connect to the community through PSA&#8217;s, Entertainment Calendars, Pet Watch for lost and found animals, news, sports and weather. </p>
<p>The problem is, getting the masses to realize there is a lot of great music out there, and not just by these artists that are being shoved down your throat, so the internet and music sharing is the answer. Support your favorite band when they come to town, buy their music and push them to the forefront by telling all your friends!</p>
<p>Indie artists are finally getting airplay, it is happening, and the more the fans support these artists, the more we&#8217;ll hear them on the air. Personally, I look forward to the day when the pop-star system gets turned on its head!
</p>
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		<title>by: IamMusic</title>
		<link>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6460</link>
		<pubDate>Thu, 11 Oct 2007 19:42:13 +0000</pubDate>
		<guid>http://www.mediachannel.org/wordpress/2007/10/11/the-riaa-vs-the-world/#comment-6460</guid>
					<description>What I've learned about the RIAA and music business over the last few months concerning internet radio has left me completely unable to purchase a CD through traditional means.  TPTB have their rights and I have mine - I have the right to spend my money on concert tickets and purchases directly from the artists and their websites only.  My little one-person boycott may not mean much to the big record companies but I feel better doing it.</description>
		<content:encoded><![CDATA[<p>What I&#8217;ve learned about the RIAA and music business over the last few months concerning internet radio has left me completely unable to purchase a CD through traditional means.  TPTB have their rights and I have mine - I have the right to spend my money on concert tickets and purchases directly from the artists and their websites only.  My little one-person boycott may not mean much to the big record companies but I feel better doing it.
</p>
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